Monday, March 29, 2010
Postings on FACEBOOK...
Kofi Fosu Forson is the origin of the poseur rooted in 50's Beat or French pop...
Kofi Fosu ForsonThe Beatniks were stereotype of what was Jack Kerouac and The Beat Generation. The image in French popular culture of a painter with beret and seemingly fake mustache holding a palette and paintbrush. These are two images reminiscent of the poseur.
Kofi Fosu Forson
80's Neo Expressionism begot the street artist much of which problematically surfaced where American Pop Art would have left off. Andy Warhol's fascination with Basquiat may have proven this. Some critics still consider Basquiat as well as Keith Haring a mockery of what is standardized American Art.
Kofi Fosu Forson
F. Scott Fitzgerald was said to have inspired the so called "yuppie writer" among which was Jay McInerny. As much as the Jazz Age was affected by the quality of music for its time, 1980's pop music was a soundtrack to the lives of the characters depicted in novels such as "Story of My Life" and Bret Easton Ellis' "Less Than Zero."
Thursday, March 11, 2010
The I, Me, My:
Self-Defense in Modern Society
Kofi Fosu Forson
Frontier women safeguarded their authority by carrying rifles. This was a premise for what becomes the person and self, prone to the victimization by society as in what lengths one would take to keep the wolves from their door.
An urban setting is replete with as much signifiers present in the mind of a schizophrenic. But in the modern premise for existing not much of it is counter culture. A homogenizing of what is black and white does very little to enhance the brilliance that has insofar created this non-existence.
The Crisps and Bloods are defined by the colors blue and blood (red). As a writing exercise I have spent evenings during which I meditated on colors that is to say purple is a mixture of blue and red. Blue and yellow gives way to green. Red and yellow makes orange. That in a society of primary colors if given the chance certain temperaments and notions of life bring forth an assemblage of culture.
The rendering of philosophy changes in reference to the issue of race and class. A black revolutionary's notion of defense is more or less self-authority along with a stringent philosophy comprised of societal and racial politics. Civil Rights gave way to the furthering of a cause which prepared those within the culture to take matters to their own hands. These were not so much leaders of the civil rights movements but those who chose immediate means and were vocal via literature, print journalism or rallies.
What then calls for defense within a civilized world? Do the writings of Anais Nin and Simone de Beauvoir attempt at fending off the literary chaos and imbalance. And in doing so did they need to ingratiate what was the self along with the greater divide which was a compromising of what is truth, circumstance and art.
To defend one must carry a weapon. Or should they?
The pugilist defends with both boxing gloves positioned in front of his face. Either that or with one arm propped at the side of his head and his shoulders bent inwards. This is known as a stance. A policeman at guard carries a gun. The white gloves of a surgeon are sensitive to his nature. A dominatrix may incorporate a whip in her activities. A blackboard and a chalk are found in most classrooms. These are understood and are associated with certain professions.
What then is the role of a thief with a gun or knife?
Gang warfare is predominantly a means of protecting turf along with it is a certain level of testosterone and braggadocio. Criminals operate under a different mindset. Once having lived alongside the like either in a ghetto, prison or street culture the mind incorporates certain improbabilities not found among those who are outright content and not visualant.
The mind therefore is the greatest form of defense.
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Kofi Fosu Forson most women play victim and are hounded by men. that was post 90's strain. traditionally women were elegantly pursued by men in the 20's to 40's allure. 50's rock and roll beset the nature of woman as liberated this carried over into the spiritually sexual 60's. 70's disco was hedonistic. 80's art culture and sex brought closure...
Kofi Fosu ForsonBiljana Ackovski
Kofi Fosu Forson
Biljana Ackovski
Kofi Fosu Forson
Kofi Fosu Forson
Biljana Ackovski
Kofi Fosu Forson
Biljana Ackovski
Kofi Fosu Forson
Biljana Ackovski
Kofi Fosu Forson
Biljana Ackovski
Kofi Fosu Forson
Biljana Ackovski
Kofi Fosu Forson
I like sitting with guys at a bar and talking bout women.
Biljana Ackovski
Kofi Fosu Forson
Kofi Fosu Forson
Kofi Fosu Forson
Biljana Ackovski
I agree with you about American women, although I have a few American friends who are totally different, they're all about new age spirituality, healing etc. I think it has a lot to do with generations as well, depends what role models you had when you were growing up. What role models do girls today have? You have to dig deep to find anything meaningful...
Kofi Fosu Forson
Biljana Ackovski
Kofi Fosu Forson
Biljana Ackovski
Kofi Fosu Forson
Biljana Ackovski
Kofi Fosu Forson